Review: Cry Macho (Clint Eastwood, 2021)
Clint Eastwood, aged 91, returns with another director-star project.
Search Results: time enough at last (1069)
Arkane’s Deathloop: Dishourned Redesigned and Redefined
When I first played Dishonored and Dishonored 2 I ensured that I played them entirely…
Review: Lizzy McAlpine – ‘doomsday’
Deputy Editor Harry Geeves praises the ruminating bitterness in Lizzy McAlpine’s new single.
Black History Month: Three Great Shows to Watch
October is Black History Month and writer Reece Beckett has three important pieces of television to watch.
Collab: Worst Musicians to See Live
We’ve heard these musicians perform sweeping ballads, RnB hits and noughties nights out on their…
This Week In Records – Wet Leg, IDLES and Coach Party
For some reason, this week seems to be inundated with breakup songs – of varying…
Collab: Great Films We Love To Hate
The shock, the relief, the triggering – let’s face it, we all have and love…
Review: Boldy James, The Alchemist – Bo Jackson
Reece Beckett takes a look at the latest collaboration between Boldy James and The Alchemist.
A Messy Celebration of Music and Creativity: A Review of Kanye West’s Donda
Reece Beckett finally gets his hands on the ecclectic, messy world of West’s Donda.
Review: The Tomorrow War – an Illogical if Serviceable Action Film
In the last few years, it seems films sent straight to streaming have replaced films…
Review: The Suicide Squad
Has James Gunn rescued a DC property from cultural oblivion? Callum Nelmes discusses.
‘Simply Genius’: A Track-by-Track Review of Billie Eilish’s Happier Than Ever
Ellie Griffiths takes an in-depth look at Billie Eilish’s new album.
‘A Fairly Easy Pastiche to Stomach’: A Review of John Mayer’s Sob Rock
Harry Geeves finds more “soft” than “sob” in John Mayer’s latest album.
Review: Nobody
Nobody, ironically enough, seems to have appeared out of nowhere. After creating buzz at select…