A curmudgeonly Music student who likes to spend his days watching an obscene number of films whilst growing increasingly grumpy with the noise-mongers around him. He has on occasion also been sighted out and about performing with his band Nine Ace Deck, for whom he sings and writes songs. And when not doing either of the above, he takes great pleasure in composing music for the short films of the Wessex Films Society. Make sure to like his Facebook page (above right) to keep up with all the latest ramblings...
Total articles: 34
Harley James Mitford reviews the one-night-only Turner Sims exclusive: Roger Vignoles, Elizabeth Watts and Roderick Williams’ sensitive rendition of Wolf’s rarely performed Italian Songbook (24/11/16).
Harley James Mitford reviews the epic stylings of Norwegian pop-princess AURORA at her recent London appearance.
Harley James Mitford reviews the underwhelming new musical from Tim Minchin and Matthew Warchus.
Harley James Mitford discusses Frank Ocean’s use of audio processing devices, and their significance, on his new album Blonde.
Harley James Mitford reviews BANKS’ “cerebral” sophomore effort.
The Edge visited the set of Tom Sands’ new film Three Acts – here’s what writer Harley James Mitford discovered.
Harley James Mitford reviews the sparse new offering.
Harley James Mitford reviews Anthony Garlands deliciously weird short film Ophelia.
Harley James Mitford reviews Andrew Dominik’s intimate documentary about Nick Cave and the Bad Seeds.
Harley James Mitford reviews the “unassuming yet magnificent” sophomore album.
Writer Harley reviews the brief, albeit touching love story about two French boys, Theo and Hugo.
Harley James Mitford speaks with Afsaneh Dehrouyeh about her past, present, and future work.
Harley James Mitford talks Takashi Miike, the Royal Ballet, and flaming cabins with Downhill’s director, writer and lead actress.
Harley James Mitford reviews Patricio Valladares’ deranged but disappointing Downhill.