Review: The Babadook
“The film is less about the titular boogeyman and more about startling fears that hit a little closer to home.” Harrison explores one of the surprise horror hits of the year.
“The film is less about the titular boogeyman and more about startling fears that hit a little closer to home.” Harrison explores one of the surprise horror hits of the year.
“Fury is a polished and visually impressive addition to the WW2 genre.” Harrison looks at Brad Pitt’s latest film outing.
Our writer Harrison Abbott talks about his attendance at the David Fincher BAFTA event, celebrating the director’s career in the pictures with the participation of Fincher himself.
“To a degree the film might have been more successful had it focused less on the bland human characters and more on the turtles themselves.” Harrison reviews the adaptation of one of the biggest children’s franchises.
Halloween is coming up and to celebrate, our writers at The Edge have put together a list of the scariest games they have ever played!
The Edge’s film writers take a look at the film characters that gave them the worst nightmares.
Got no plans this halloween? Have a browse through our 13 essential halloween horrors! We have put together our favourite movies to celebrate the spooky season.
Our team at The Edge are always eager to view the latest releases, but which films left us feeling a little deflated?
For a film so concerned with identity it is strange that The Equalizer’s chief problem is that it has no discernible personalty of it’s own, says Harrison Abbott.
Despite a brief running time, Life After Beth still manages to feel like it’s dragging its central joke out way past it’s threshold, says Harrison Abbott.
Five of our writers reflect on the first film that ever had an impact on them.
For the first installment of our Why I’d Like to Be Film Feature, Harrison Abbott talks about his admiration for Peter Parker.
For the first installment of our Why I’d Like to Be Film Feature, Harrison Abbott talks about his admiration for Peter Parker.
Frank Darabont’s film has gone onto become one of the most celebrated texts in the cinematic world.