Review: Triple 9
John Hillcoat’s latest crime epic is uneven at best, says Eddy Tesfay.
John Hillcoat’s latest crime epic is uneven at best, says Eddy Tesfay.
Bryan Cranston’s Oscar-push is strictly average, says Head of Design Jack.
Squeamish Head of Design Jack accidentally saw a horror film, but rather liked it.
Film Editor Ben takes on the Blaine brothers’ debut feature, what is likely to be one of the strangest romance movies of 2016.
Matt saw the Zoolander sequel, and let’s just say he wasn’t impressed with what he saw.
Burr Steers’ Austen parody is ridiculous fun, says George Seabrook.
Paolo Sorrentino’s follow up to The Great Beauty really isn’t worth any praise, says James Slaymaker.
The verdict is in – has Deadpool lived up to the hype? Culture Editor Harrison takes a closer look.
This week in film (8/2/16 – 14/2/16) sees the eventual cinematic bow of Marvel’s loudest character to date, and the grand return of Derek Zoolander’s Centre For Kids Who Can’t Read Good And Wanna Learn To Do Other Stuff Good Too,
Charlie Masters heralds a whole new cinematic low, starring silver screen legend Robert De Niro.
Tom McCarthy’s powerful drama is more than worthy of its Best Picture nod, says Eddy Tesfay.
This week in Film (1/2/16 – 7/2/16) sees Bryan Cranston’s latest bow and a bizarre remake of 90s classic Point Break.
Michael Bay’s latest robot-less effort is a bit of a tactless mess, says Film Editor Ben.
Hirokazu Koreeda’s 2004 Cannes-hit is well worth digging up, says Sophie McEvoy.