First Look Review: The Theory of Everything
Ben Robins gives his first thoughts about James Marsh’s much anticipated The Theory of Everything.
Ben Robins gives his first thoughts about James Marsh’s much anticipated The Theory of Everything.
It’s clear that Reitman is gunning for some sort of grand pervasive message about the status of human communication and feeling but ultimately he gives himself no room to clearly express it, says Ben Robins.
The Edge gets an exclusive first look at Disney’s latest musical fairytale output, Into the Woods starring James Corden, Anna Kendrick and Meryl Streep.
The Edge catches up with Anna Kendrick, James Corden, Rob Marshall and John Deluca of Disney’s Into the Woods in London.
If it wasn’t for the fact that they’d constitute spoilers, you could fill a whole review just listing the gloriously stupid moments that pad out this beautiful disaster, says Harrison Abbott.
Tom Hopkins reviews Horrible Bosses 2, the comedy sequel staring Jason Bateman, Jason Sudekis and Charlie Day.
The film has a strong sense of DIY throughout, which works both to its asset and disadvantage, says our Film Editor.
Bill Murray is superb, easing into his role with confidence and dominating the film with his presence says Matt Clarson.
Despite a good cast, some funny quips, and characters who have already proved entertaining in other installments of the Madagascar franchise, this film feels like quick, easy filler for Dreamworks, says Natasha Raymond.
This year’s final week of showings at Union Films includes a free screening of Love Actually.
Eastern Boys is a striking piece of cinema, offering a strong and sometimes challenging first hour and a half, which is, unfortunately, brought on clumsy cliché narration grounds for the last 40 mins, says Virginie Robe.
From the last showing of The Hunger Games – Mockingjay Part 1 to Fury, check what’s on at Union Film this week!
The Imitation Game features genuinely moving moments, but time and time again they’re trodden on by melodramatic Hollywood tropes, says Joseph Henderson.
Well put-together and with an accomplished and polished look, the film is more than competently constructed, but it is sometimes lacking a certain spark that was so pronounced in Catching Fire, says Harrison Abbott.