Review: LoneLady – Former Things
Don’t be surprised when this ends up on everyone’s Albums of The Year lists, Max Williams says.
Browsing: Albums
‘Something of an Odyssey’: A Review of Little Simz’ Sometimes I Might Be Introvert
From its opening, which consists of ‘50s film noir-esque orchestral rolls, choirs and falling synthesisers…
Review: Boldy James, The Alchemist – Bo Jackson
Reece Beckett takes a look at the latest collaboration between Boldy James and The Alchemist.
Review: Kurupt FM – The Greatest Hits (Part 1)
Released as a tie-in record with the recently released to cinemas People Just Do Nothing:…
A Messy Celebration of Music and Creativity: A Review of Kanye West’s Donda
Reece Beckett finally gets his hands on the ecclectic, messy world of West’s Donda.
Review: The Killers – Pressure Machine
Harry Geeves thinks that Pressure Machine is The Killers’ best album in years.
The Mark of a Wordsmith: A Review of Nas’ King’s Disease II
Reece Beckett salutes the king of hip-hop’s latest album.
Ecclectic, Enthralling and Intelligent: A Review of LUMP’s Animal
Max Williams reviews the latest release from collaborative project LUMP.
‘Simply Genius’: A Track-by-Track Review of Billie Eilish’s Happier Than Ever
Ellie Griffiths takes an in-depth look at Billie Eilish’s new album.
Musical Minimalism from a Maturing Artist: A Review of Dave’s We’re All Alone In This Together
Reece Beckett celebrates the progression of Dave in his second album.
Review: Skepta – All In
Reece Beckett is All In on Skepta’s new EP.
‘Demands repeat listens’: A Review of Severed Heads’ Focus
Max Williams wants you to focus on Severed Heads.
‘A Fairly Easy Pastiche to Stomach’: A Review of John Mayer’s Sob Rock
Harry Geeves finds more “soft” than “sob” in John Mayer’s latest album.
Review: Navy Blue – Navy’s Reprise
Reece Beckett labels Navy’s Reprise “one of the best albums of the year so far”.