“Music purveys the air, reels from fiddles flowing from every pub, there are performers and buskers everywhere”: Phoebe Cross spent the week in Sidmouth, soaking up the seaside sun, a variety of folk music, and lots of local ale and cider.
Kirsty looks at the prolific Jack Reacher trilogy in advance of the series’ next release, Personal.
Evans brilliant understanding of the mechanics of film and of how to use cinema language to stage mind-blowing fight sequences is refreshing to see in the genre, says Harrison Abbott.
Although only two films into his career, Blomkamp’s stunning debut makes him one of cinema’s most promising filmmakers, says Harrison Abbott.
Seb Male takes a look back at this year’s Download Festival; from Aerosmith to Fall Out Boy, and Steel Panther to Dying Fetus.
Despite a plethora of desperate half-price ticket deals, Lewis Cato found the event eerily empty, but noble in it’s failure.
Phil Lord and Chris Miller have produced a comedy sequel that is just as funny, if not funnier, than its predecessor, says Jack Dillon.
Elinor caught up with The Last Vegas singer Chad Cherry at their recent Southampton show.
Wally Pfister’s potential as a filmmaker is wasted on Transcendence’s poor story.
End of Watch is a must see, not just for fans of cop movies but fans of cinema in general.
A brief look at some of the most anticipated games yet to come this year.
In light of the release of Goat Simulator, Alex looks back at the best (or perhaps worst) examples of the simulator game. Strap yourselves in.
It’s camp, it’s pretty meaningless, and its unrelenting cheeriness might possibly drive you to homicide; but NOW + 4EVA is also a lot of fun, simple and energetic in just the right way.
Early R.E.M. Bruce Springsteen. Bob Dylan. And countless bar-rock bands. These are the clear influences for…