Review: National Theatre Live – ‘Good’ Starring David Tennant
Kat Munday delves into the themes of David Tennants latest performance.
Kat Munday delves into the themes of David Tennants latest performance.
Dom Wilton expresses the great excellence and beauty of Peter Schaffer’s Amadeus.
Morgan McMillan picks apart Yaël Farber’s 2016 production of Lorraine Hansberry’s Les Blancs.
Elizabeth Sorrell explores Nicholas Hytner’s production of Shakespeare’s A Midsummer Night’s Dream.
Writers Camilla and Louise look at the best modern adaptations of classic Shakespeare plays.
Eleanor Joyce reviews the award-winning sensation that follows a boy’s mission to reunite with his treasured horse.
The tragedy will be Fiennes’ next Shakespeare outing having played Richard III last year.
Former film editor Ben Robins has been named as one of the five finalists of UK film initiative shortFLIX.
Abi Cutler reviews the second UK tour of the show, currently playing in Southampton.
What exactly is so different between the competing worlds of stage and screen? Is one inherently better? What can theatre offer that the cinema can’t compete with? Holly Hammond examines.
The film, based on Michael Morpurgo’s film of the same name, was released five years ago today.
Sherlock’s Benedict Cumberbatch is the latest actor to be put in the Edge’s Stage Spotlight.
An off-Broadway production of the Shakespearean classic will be staged in New York next Autumn.
Topical despite their medieval protagonists Rona Munroe’s trilogy of plays exploring the stories of three Scottish monarchs stand strongly alone but are less cohesive as a unit.