Showstoppers’ Amélie at the Annex Theatre
Read Alex Tsherit’s exceptional review of Showstoppers’ first 2025 production: Amélie
Browsing: drama
SUSU Theatre Group’s All My Sons at The Annex Theatre
Read Alex Tsherit’s stellar review of SUSU Theatre Group’s All My Sons.
(COLLAB) Favourite TV Shows of 2022!
Our lovely Editor, Amy Scott-Munden and Culture Editor, Emily Poole discuss and celebrate their favourite 2022 TV Show releases to round off the year! From Teen Drama to Thrillers, they love it all!
Review: Cry Macho (Clint Eastwood, 2021)
Clint Eastwood, aged 91, returns with another director-star project.
Review: First Cow – Reichardt’s Latest Is Minimal But Entertaining
After premiering in Berlin last year, Reece Beckett reviews Kelly Reichardt’s long-awaited latest feature.
Review: Minari – Fish out of Water and What Family Means
Ryames Chan reviews Lee Isaac Chung’s highly anticipated autobiographical film about a Korean family settling into the West.
Hidden Gem: Two Lovers
Reece Beckett explains why James Gray’s 2008 romantic melodrama has been overlooked since its release.
Review: Mangrove – Politically Driven Masterpiece
Katie Evans offers her verdict on Steve McQueen’s opening film in his Small Axe series.
Review: Ratched
Sophie Young reviews the latest Netflix series from Ryan Murphy.
Never Rarely Sometimes Always: The Topic of Abortion in Cinema
Katie Evans tackles how abortion has been represented in cinema, as well as looking at Eliza Hittman’s breakout drama.
Review: Snowpiercer (Season 1)
Based on French graphic novel Le Transperceneige, TNT’s Snowpiercer takes place years after a great…
I May Destroy You: New Age of Consent
Theo Smith gives the latest from Michaela Coel a detailed discussion concerning its themes.
“Have something to say, and know how you want to say it.” – An interview with Albert Shin
Up and coming director Albert Shin is garnering the attention of many, best known for…
Review: Spring Awakening at the Annex Theatre
Thea and Sophie’s theatre adventures continue with an opening night of ‘sex, death, and rock’n’roll’ à la Showstoppers.