‘With animation the scene can take a life of its own’: An interview with directors of the Oscar nominated Anomalisa
Charlie Kaufman and Duke Johnson are the directors of 2015’s Anomalisa; based on a play of…
Charlie Kaufman and Duke Johnson are the directors of 2015’s Anomalisa; based on a play of…
Spielberg’s latest is further proof of his immense filmmaking skill, says Jack Gracie.
Squeamish Head of Design Jack accidentally saw a horror film, but rather liked it.
Guillermo del Toro’s stab at gothic romance is a wonder to behold, says Head of Design Jack.
Adam McKay’s Oscar-favourite is far from boring, says Tash Williamson.
The film’s entire demeanor is so well refined that it becomes clear very quickly that Allen could make films like this in his sleep, and at times it almost feels like he is, says Ben Robins.
Mira is all about the build-up, and with a set-up as lean and intriguing as this one, he finds a lot of joy in gradually ramping up the tension, says Ben Robins.
Side-splitting, tear-jerking, foot-tapping excellence!, says Joanna Mills.
Side-splitting, tear-jerking, foot-tapping excellence!, says Joanna Mills.
Corbijn faithfully handles this brooding and carefully constructed political allegory with praiseworthy poise, says Joseph Henderson.
Following François Truffaut’s 30th death anniversary, Artificial Eye is releasing some of the French director’s films on blu-ray with a delightful bunch of extras.
With a true old school spirit and a captivating central performance, The Guest is a welcome shot in the arm for the horror genre…. if indeed it even is a horror film.
Raimi’s initial sequel offered a tremendously diabolical villain that pushed the film to an emotional breaking point for both Spider-Man and his new nemesis – Webb’s second effort does nothing of the sorts, says Ben Robins.
The film is all about the spectacle and it completely sacrifices in the process any chance of ever being even slightly affecting, says Ben Robins.