Review: Periphery – Periphery III: Select Difficulty
The band’s fifth studio album “has some redeeming moments,” says Oli Polhill.
The band’s fifth studio album “has some redeeming moments,” says Oli Polhill.
Alice Hearing reviews Christine And The Queens’ English-language debut.
Harley James Mitford chats “Chipmunked vocals” and “G-funk synths” on Tom Misch’s latest offering.
Rob Tucker reviews Gucci Mane’s homecoming effort.
Rehana Nurmahi reviews the soul singer’s sophomore collection.
The band’s “joyful” posthumous debut is reviewed by Marcus Bridgland.
Kay Pearson reviews “one of the best, creepiest, and headbangiest albums of the year.”
Katie Duke reviews the electronically-minded successor to 2012’s Chapman Square.
“What’s worse, looking jealous or crazy?” Carly-May Kavanagh reviews Beyoncé’s latest.
Harley James Mitford reviews the collected offshoots of the To Pimp A Butterfly sessions.
The up-and-coming, worst-kept secret of British soul finds some surefire mainstream success on this EP sequel, but is that what we want?
Xavier Voigt-Hill reviews the gentle caress of HONNE’s debut album.
Liam Saunders reviews the iconic band’s ninth LP.
Seventh record and still going strong, this isn’t Biffy at their best, but there’s still plenty to admire.