Inspirational Women: Miranda Hart
Anneka writes about why Miranda Hart is an inspiration not only to aspiring comediennes, but to everyone.
Anneka writes about why Miranda Hart is an inspiration not only to aspiring comediennes, but to everyone.
Natalie, Culture Editor, reviews SUSU Showstoppers’ adaptation of Stephen Sondheim’s Into the Woods.
The Voices is a truly unique, genre-bending experience, says Ben Robins.
Rehashing the same themes that the second series ended on; viewers are subjected to some new cult members, some new love interests and a lot of the same old problems.
TCTS has transformed the Years & Years track into one that oozes house vibes and can’t leave you with a desire to go dancing.
Barnaby Walters reviews Silent Witness’ return in its eighteenth series.
Ben Robins talked to director James Marsh and script writer Antony McCarten about their next release The Theory of Everything, which follows Stephen Hawking’s life.
For the first time in what feels like decades, Corgan’s proficiency as a purveyor of power-pop is once again shining through
The Edge takes a look back at Jay-Z and Linkin Park’s ‘Collision Course’, 10 years after its initial release.
The Imitation Game features genuinely moving moments, but time and time again they’re trodden on by melodramatic Hollywood tropes, says Joseph Henderson.
We’re now a month until the big day. To celebrate, Hollie Geraghty opens the Film section’s Christmas featurette and talks about the Polar Express.
Nightcrawler is an intelligent, pitch perfect examination of moral complications underlying Western culture’s capitalist desires, says Joseph Henderson.
Sally Lui caught up with front man Joe Keogh and drummer Felix Archer from Amber Run on the first night of their UK tour.
Our gaming writers reflect on the week’s gaming news and give you a heads up on the coming week’s games.