Review: Itch (The King Blues Unplugged) at The Joiners, Southampton
The King Blues’ Itch was at The Joiners last week, and he was pretty fantastic.
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How horror games push the boundaries of terror
Looking for a good scare this Halloween? Records Executive Sam Law suggests giving horror games a go.
‘I wanna have it ready to go, and just keep going, going, going’ – An interview with Superfood
George Seabrook spoke to vocalist Dom when the band played at The Joiners earlier in October about everything from future plans to funny festival encounters.
The Edge’s favourite horror movies
As the Halloween season approaches, The Edge writers come together to profile the movies that frighten, thrill and excite them the most.
Closer to The Edge: Our Favourite Fictional Cats
R.I.P. Susu the Cat, you will always be remembered.
Review: Superfood at The Joiners, Southampton
No need to ask ‘Where’s The Bass Amp’ following the band’s tight, ‘Unstoppable’ show at The Joiners (05/10/2017).
Entertainment in Hindsight: September 2017
Here are The Edge’s entertainment picks for September, featuring Taylor Swift, Wolf Alice and Mother!
Review: American Vandal (Season 1)
Film Editor David tackles Netflix’s satirical jab at the true crime genre.
The Emergence and Evolution of Grown-Up Animation
From The Flintstones to Rick and Morty, Culture Editor Josh goes on a journey through the beloved series that challenge the boundaries of animation.
Review: House of Cards (Season 5, Episode 1)
And you thought Trump’s America was bad…
Mental Health in Film: Helpful Vs Harmful
For Mental Health Awareness Week, we look at different films and their portrayals of mental health.
Music as Medication: A Way of Relieving Anxiety
Bruno Russell explores how music can be used a tool for overcoming stress and anxiety through its power as a form of release and expression.
In Criticism of 13 Reasons Why
Live Editor Carly-May questions depictions of mental health in Netflix’s new smash hit.
Review: Acis and Galatea – Chamber Opera Society
Jacob Power reviews the Chamber Opera Soc’s production of the Händel classic.