Blonde: The many voices of Frank Ocean
Harley James Mitford discusses Frank Ocean’s use of audio processing devices, and their significance, on his new album Blonde.
Harley James Mitford discusses Frank Ocean’s use of audio processing devices, and their significance, on his new album Blonde.
Sandé delivered a stunning, powerful and personal show in London’s St-John-at-Hackney Church (06/10/16)
Richard Anderson reviews “a defining moment of 2016.”
Bruno Russell investigates the legend of Marilyn Monroe and reveals the woman behind the ‘dumb-blonde’ persona.
Writer Sophie reviews Luke Scott’s Morgan, a mesmerizing representation of abuse and human curiosity.
Xavier Voigt-Hill reviews an exclusive London return from LCD Soundsystem. (15/07/2016)
Bruno Russell argues that historical dramas are ‘a curse’ on real-life history.
David introduces one of the most intriguing shows on TV; Mr. Robot.
Writer Sophie discusses recent DLC delays and asks the question- do game developers really care about their fans or their finances?
Writer James examines the ethics, meaning and even the art behind Kanye’s controversial new music video ‘Famous’.
Deputy Editor Ashleigh continues her coverage of the Sydney Film Festival with a review of a new documentary following the controversial mayoral campaign of Anthony Weiner.
Ashleigh reviews Sydney Film Festival’s screening of the controversial Swiss Army Man.
Writer Damian thinks that Top Gear’s return is somewhat of a false start, but it’s not dead just yet.
The latest Bryan Singer X-Men adventure isn’t the series’ best, but certainly still packs a punch, says Jack Gracie