In Criticism of The Revenant
David Mitchell-Baker explains why Iñárritu’s epic western isn’t the masterpiece that people claim it to be.
David Mitchell-Baker explains why Iñárritu’s epic western isn’t the masterpiece that people claim it to be.
Our writers have come together to debate whether Spotlight deserved its Best Picture win and, of course, to celebrate Leo’s glorious victory.
Spotlight took home Best Picture and Leonardo Di Caprio FINALLY got an Oscar.
Editor Natalie takes a look at 21 of the most awkward, cringe-worthy moments in Academy Award history.
Time on the stage is when we see celebrities at their most human, and their best. Unrelatedly, the 1990s Oscars ceremony was purple and looked ridiculous.
Bryan Cranston’s Oscar-push is strictly average, says Head of Design Jack.
David Mitchell-Baker steps in to defend Quentin Tarantino’s recent underperforming western.
Editor, Natalie, takes a look at the expert marketing from camp Beyonce and how she owns her black heritage.
Tom McCarthy’s powerful drama is more than worthy of its Best Picture nod, says Eddy Tesfay.
Our writer Carly discusses the current argument regarding the lack of diversity at the Oscars.
This week in film (25/01/16 – 31/01/16) sees the release of Tom McCarthy’s Oscar-nominated drama Spotlight and a new war movie from Michael Bay.
Ryan Coogler’s re-boot delivers the best Rocky film in years, says George Seabrook.
Our writers discuss all the snubs and surprises of this year’s Academy Award nominations, and ponder the question: could this finally be Leo’s year?
The Revenant, Mad Max: Fury Road and Spotlight are among the frontrunners for this year’s nominees.