The Edge’s Top 20 Films of 2017
With 2017 at its end, The Edge writers have voted and here are our Top 20 Films of the year.
Browsing: Christopher Nolan
‘The Shape of Water’, ‘The Post’ and ‘Big Little Lies’ dominate 2018 Golden Globes nominations
The traditional awards season opener today announced its full list of nominees.
Union Films announces Autumn season line-up
Union Films have released a poster of all the films they will be screening in the autumn term.
Review: Dunkirk
Writer Tom takes a look at Christopher Nolan’s breathtaking new film.
A Letter To: Christopher Nolan
Writer Tom pens a letter of appreciation to director Christopher Nolan in anticipation of his new film, Dunkirk
This Month in Film: July 2017
New Film Editor David takes you through the cinematic highlights of July.
Wake up Academy! It’s time to give some credit to the genre films
The Academy seems to be diversifying its nominees again, but what about its genres?
A history of strenuous movie roles
David Mitchell-Baker talks through the lengths that some actors go to for the sake of a role.
Nostalgic News: The Prestige was released 10 years ago today
Christopher Nolan’s thriller about two rival magicians was released 10 years ago today.
Christopher Nolan unveils first Dunkirk teaser – watch
The film features an all-star cast including Tom Hardy, Cillian Murphy, Mark Rylance and Harry Styles.
In Defence of Batman v Superman: Dawn of Justice
Scott Williams makes his case for why Zack Snyder’s superhero team-up event deserves more praise.
Notes on News: Should films be available in homes on the day of cinema release?
Hollie discusses the pros and cons of a new proposal which could allow people to watch new films in their own homes, at the same time as they are released in cinemas.
Nostalgic News: Memento was released 15 years ago today
Christopher Nolan’s unsettling thriller, Memento, was released 15 years ago today on 16th March 2001.
Film Debut: Christopher Nolan (Following, 1998)
Follow the next installment of the Film Debut series with Christopher Nolan’s 1998 film analysed by Harrison Abbott.