Review: Son of Saul
László Nemes’ Oscar-winner is a truly gripping piece of cinema, says Head of Design Jack Gracie.
László Nemes’ Oscar-winner is a truly gripping piece of cinema, says Head of Design Jack Gracie.
Richard Linklater’s Boyhood follow-up is a refreshing spot of fun, but little else, says Sophie Trenear.
This late sequel is just as side-splitting as the original says Hannah Postinger.
A sequel nobody asked for, with a cast that everyone would ask for, if y’know what we mean… George Seabrook reviews the Snow White spin-off no one has been talking about.
Three faces, three voices, and a whole load of puppets. A film that could only be from Kaufman’s brain – but what happens when it reaches yours? George Seabrook investigates.
Charlie Kaufman and Duke Johnson are the directors of 2015’s Anomalisa; based on a play of…
Spielberg’s latest is further proof of his immense filmmaking skill, says Jack Gracie.
The Witch is ‘Dark, ominous, and full of atmosphere’ according to Ashleigh Millman.
George reviews one of the year’s biggest (and messiest) blockbusters.
Hollie discusses the pros and cons of a new proposal which could allow people to watch new films in their own homes, at the same time as they are released in cinemas.
Zack Snyder better shape up if his next huge superhero mega-blockbuster is to stand any chance, says Sophie Trenear.
Bryan Cranston’s Oscar-push is strictly average, says Head of Design Jack.
Squeamish Head of Design Jack accidentally saw a horror film, but rather liked it.
Charlie Masters takes up the strange case of Michael Bay, the most hated man in Hollywood, and uncovers some surprises along the way.