Review: Royal Blood – Typhoons; Dreary and Forgettable
In years gone, Royal Blood’s dirty breed of garage rock seemed fresh. Their 2014 self-titled…
Browsing: Review
Retrospective Review: LFO’s Advance
Max Williams takes us back to LFO’s second album.
Experimental and Promising; A Review of Black Country, New Road’s ‘For The First Time’
Reece Beckett reviews the debut album from post-punk band Black Country, New Road.
Review: Lindsey Stirling – Lose You Now (feat. Mako); A Comforting Warm Hug
Though only armed with a violin, Lindsey Stirling certainly has a way of telling an…
Review: Billie Eilish and Rosaliá’s Lo Vas a Olvidar; ”Moody, hazy melodies and reverb-heavy synths”
After a year of waiting for the anticipated collab, was it worth the wait?
‘A New Venture for the Band’: A Review of Django Django’s Glowing in the Dark
Katie Evans reviews art-rock band Django Django’s latest album.
Unique, Memorable, and Entertaining; A Review of Ashnikko’s Demidevil
Connier Seamer praises the quick witted lyrics and funky beats of Ashnikko’s newest LP.
Review: SZA – ‘Good Days’; ‘A Winning Cut’
Harry Geeves shares some love for the newest single from SZA, ‘Good Days’.
‘A Product of Ingenius Minds’ A Review of Foo Fighters’ Medicine at Midnight
Medicine at Midnight is here, although, not in the way anybody expected.
Review: Synchronic – Bleak And Inescapable But Compelling Piece of Sci-fi
Often hard to pinpoint, Synchronic is a surprising sci-fi film that proves itself a lot smarter than…
A Blissful and Beautiful Debut: A Review of Celeste’s Not Your Muse
The debut LP from British-Jamaican singer Celeste gets a perfect score from Sam Pegg.
‘Something Truly Authentic and Real’; A Review of Arlo Parks’ Collapsed in Sunbeams
Arlo Parks debut album speaks to the soul, says News Editor Sam Pegg.
Review: Dodie – ‘Hate Myself’: A Catchy New Single
Digital Culture Editor Harry Geeves dishes his thoughts on the newest single from indie online superstar, Dodie.
The Edge’s Top Albums of 2020: #1- Taylor Swift’s ‘Folklore’
Finally, our winner for the best albums of 2020: it’s Taylor Swift’s folklore!