Author Ben Robins

Former Film Editor, Film graduate and general supporter of all things moving-picture related. Accidentally obsessed with Taylor Swift. Long-time Ellen Page fanboy.

Total articles: 150
Cinema 4.0
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Despite being fuelled by a grand scope and purely creative aims, Jupiter Ascending stumbles onto screens both flabby and shamefully bland, says Ben Robins.

Cinema 8.0
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Inherent Vice is a hypnotic, stylish and remarkably funny adaptation of Thomas Pynchon’s wildly provocative novel, says Ben Robins.

Cinema 2
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There are almost not enough words in the entire English language to describe how terribly made Taken 3 quite is, and precisely none at all that could work to praise it, says Ben Robins.

Cinema 2
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“Ear-plugs are an absolute must,” read Ben Robins’ review of Annie, Will Geluck’s abysmal holiday remake.

Cinema 6
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It’s clear that Reitman is gunning for some sort of grand pervasive message about the status of human communication and feeling but ultimately he gives himself no room to clearly express it, says Ben Robins.

Cinema 8
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Well and truly sunk by a clearly muddled style, and then raised exponentially by a world-beating lead performance, Get On Up stands as one of the most divided films of the year, says Ben Robins.

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