This Week In Records (03/11/17): Sam Smith, Gorillaz, & N.E.R.D
Just the one Records Editor this week as Sam Law dives into the picks of this week’s releases.
Author Sam Law
Sam Law
I play/watch/listen to things, then write about playing/watching/listening to things. Special powers include downing two litres of tea at a time and binging a 13-episode Netflix series in only 12 hours. Records Editor 2018/19 OMG
Total articles: 158
Artist in Focus: The Killers
Sam Law takes a look at one of the world’s beloved indie bands.
How horror games push the boundaries of terror
Looking for a good scare this Halloween? Records Executive Sam Law suggests giving horror games a go.
This Week In Records (27/10/17): Clean Bandit, Will Joseph Cook & Plan B
Another week, another TWIR.
The Edge’s favourite horror movies
As the Halloween season approaches, The Edge writers come together to profile the movies that frighten, thrill and excite them the most.
This Week in Records (20/10/17): Jessie Ware, MGMT & Niall Horan
There are so many things to talk about this week!!!
Review: FIFA 18
Sam Law reviews the ‘cinematic but soulless’ latest entry in the sports series.
This Week in Records (13/10/17): Fickle Friends, St. Vincent, & Sufjan Stevens
A collaborative effort this week sees big things from some of our favourites.
The Edge Reacts To… Star Wars: The Last Jedi trailer
Better than RAYE and Jax Jones?! Find out what our Edgelings thought of the latest Star Wars trailer!
This Week in Records (06/10/17): Liam Gallagher, JP Cooper, & P!nk
Sam Law joins the team to give you a fresh take on this week’s big ones.
Review: Narcos (Season 3)
Sam Law delves into Season 3 of Netflix’s “gripping” drama.
Entertainment in Hindsight: Summer 2017
A round-up of The Edge’s entertainment recommendations looking back at the recent summer.
The Edge Reviews: Game of Thrones (Season 7)
Let’s look back at our Season 7 reviews in a hopeless attempt to recreate the magic of new GoT.
Technique and Psychology: The Power of Score in Game of Thrones
As Season 7 draws to an end, Sam Law takes a look at the show’s score and its impact on both the audience and the action itself.