Raindance Film Festival review: Train Driver’s Diary
Writer Sophie reviews Raindance’s standout so far, a story of the innocent train drivers who inadvertently become mass murders.
Writer Sophie reviews Raindance’s standout so far, a story of the innocent train drivers who inadvertently become mass murders.
Writer Sophie reviews Gozo at Raindance, Miranda Bowen’s directorial debut, which doesn’t quite live up to its potential.
Writer Sophie reviews the dystopian thriller, which proves to be more bark than bite.
Writer Sophie’s latest review from Raindance is Joaquin del Paso’s feature length debut, a social commentary blended with absurd satire in Panamerican Machinery.
Writer Sophie reviews the Brazillian crime dramedy, Jules and Dolores, which has been selected for the official competition for best film at Raindance Film Festival.
Writer Sophie continues her Raindance festival coverage with Stephen Elliott’s Inception-esque film, which proves to be hugely disappointing.
Film editor Hollie begins her coverage of the 60th London Film Festival with the tragic story of news presenter who struggles to find fulfillment.
Writer Sophie continues her Raindance Film Festival coverage with Filip Kovacevic’s Groundhog Day-esque action thriller.
Writer Sophie continues her coverage of the 24th Raindance Film Festival, reviewing Kier Burrows directorial debut, Worm.
Writer Sophie begins her coverage of the 24th Raindance Film Festival with Stephan Littger’s directorial debut, which explores feminism and artistic individuality.
Writer James explores Federica Foglia’s short film, which explores the existential and geographical dislocation of refugees.
Georgie Hawke reviews the highly anticipated third instalment of the Bridget Jones franchise, Bridget Jones’s Baby.
Writer David reviews Taika Waititi’s new adventure-comedy, starring Sam Neil.
Film editor Hollie takes a look at Daniel Radcliffe in his most challenging role yet, playing an undercover FBI agent posing as a Neo-Nazi skinhead in ‘Imperium’.