The alternative picks for awards season
With awards season coming to an end, Film Editor David looks at some of the year’s most notable snubs.
Browsing: Features
Should Entertainment be Moral?
As Oscars contender Three Billboards Outside Ebbing, Missouri has received backlash for its portrayal of morality, Online Manager Hannah looks at this issue on a wider scale.
In Criticism of Three Billboards Outside Ebbing, Missouri
Writer Louis steps in to provide a counter argument on the awards season big hitter.
The Edge’s 2018 Oscars thoughts and predictions
Ahead of this Sunday’s awards show, The Edge writers come together to make their predictions and share their thoughts.
In Criticism of Call Me By Your Name
Writer Nathan counterpoints Luca Guadagnino’s Oscar nominated romance.
In Criticism of Baby Driver
Christian Wise argues that Edgar Wright’s latest blockbuster gets more love than it deserves.
This Month in Film: March 2018
With Awards season on its way out, Film Editor David talks through the highlights as the blockbuster season begins to take shape.
The Shape of Water: Diversity Done Right
A look at the clever representation of social issues swept up in Guillermo del Toro’s surreal romance.
Anticipating Infinity War: bringing ‘The Event’ to the big screen
Records Exec Sam Law here, with a massive article anticipating the massive cinematic event that will be ‘Avengers: Infinity War’.
Closer to The Edge: Grand Get-Together Moments
Love, love, love…
Fifty Shades of Abusive Relationships: Why ‘Fifty Shades of Grey’ is anything but romantic
Carly-May Kavanagh gets real about the negative impact of one of the most famous sagas to date.
This Month in Film: February 2018
From biopics, to superheroes and awards blockbusters, these are your movie highlights for February.
The Dangers of Nostalgia in the 2010s
Looking at the increasing trend of nostalgic entertainment, Features Editor Thea muses over its dangers.
The enduring simplicity of the 80s teen movie
What is it about the 80s teen movie that makes them still so relevant? Rehana Nurmahi explores the simplicity of these narratives.