Despite being fuelled by a grand scope and purely creative aims, Jupiter Ascending stumbles onto screens both flabby and shamefully bland, says Ben Robins.

Inherent Vice is a hypnotic, stylish and remarkably funny adaptation of Thomas Pynchon’s wildly provocative novel, says Ben Robins.

Whilst Kingsman is more than just Kick-Ass with spies, it does share its spiritual predecessor’s same frenetic hyperactivity, says Harrison Abbott.

Missed out on this awards’ season favourites? Don’t worry, The Edge has it covered!

Selma is far from the definitive Martin Luther King biopic, says James Chadwick.

Harrison Abbott looks at Fincher’s very successful Gone Girl.

The film strongly seems to portray how entrapped urban life can feel and the horrors of feeling your fate hasn’t matched your ambitions, says Edward Till.

This week sees Union Films host a free screening of Pride in celebration of LGBT history month.

Trash is a suspense-ridden mystery with faith and humour, says Georgia Dudman.

Ex Machina does not pull its punches, in story or themes. It’s adult sci-fi, but never dull, says George Seabrook.