Browsing: Film

Cinema
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For a film so concerned with identity it is strange that The Equalizer’s chief problem is that it has no discernible personalty of it’s own, says Harrison Abbott.

Cinema
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Despite a brief running time, Life After Beth still manages to feel like it’s dragging its central joke out way past it’s threshold, says Harrison Abbott.

Cinema
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’71 is the work of a seasoned pro, bursting from the fresh-face of an upcoming talent, says Ben Robins from the London Film Festival.

Cinema
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By failing to knit the two genres together closely enough, Spring’s tonal shifts come across as rather random, trampling all of the well-built emotion previously set out in their wake, says Ben Robins.

Cinema
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Now getting into his 80s, Boorman returns once again with another unpredictable twist, says Ben Robins from the London Film Festival.

Cinema
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A sleek, bold and terrific new look into the inner-workings of love and relationships, particularly those affected by distance, says Ben Robins.

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