Damon Albarn – Everyday Robots
Everyday Robots is laced with quiet intelligence, each individual track, as well as the album as a whole all feeling perfectly balanced and well thought out.
Everyday Robots is laced with quiet intelligence, each individual track, as well as the album as a whole all feeling perfectly balanced and well thought out.
The ‘runaway slave master’s’ new album fails to live up to it’s title.
With soul, gospel and funk influences, Food is huge and brilliant departure from Kelis of the past five albums.
California’s Thee Oh Sees, the band that refuses to stop putting out albums, insist that they are going to stop putting out albums (for a while) – Drop is their latest installment.
William Control begun as the electronic side project of Aiden frontman Wil Francis, but as…
Tremors, the debut album by SOHN does not disappoint, wonderfully unique, yet combining electro sounds with haunting vocals.
Having formed in 2007, New-York hard-rockers The Pretty Reckless released their second record, Going To…
It’s camp, it’s pretty meaningless, and its unrelenting cheeriness might possibly drive you to homicide; but NOW + 4EVA is also a lot of fun, simple and energetic in just the right way.
Metronomy’s previously super successful album the The English Riviera captured the by-gone glamour of the…
The Take Off And Landing of Everything is elbow’s sixth studio album. Following on from…
Despite their unpolished aesthetic, Frankie Cosmos’ latest album is ten tiny, perfectly-formed tracks. It’s not trying to be anything ground-breaking, but it’s cute, it’s enjoyable, and it’s 17 minutes well spent.
Their début became an indie hit thanks to their distinctive sound – can Foster the People match this success with their second album?
Atlas, in the end, is a refreshingly unassuming and elegant record, with a well-crafted, human sound.
Pharrell Williams’ return shows us why G I R L is set to be a release as big as his hat.