Browsing: Film
This Week at Harbour Lights (09/09/16 – 15/09/16)
This Week at Harbour Lights: Captain Fantastic, The Little Mermaid, The Beatles and a FREE screening of Blair Witch!
First Look Review: Theo and Hugo
Writer Harley reviews the brief, albeit touching love story about two French boys, Theo and Hugo.
First Look Review: Kubo and The Two Strings
Writer Eddy reviews the latest release by Laika Entertainment, the fantastic Kubo and the Two Strings.
Review: If I Could Tell You
Writer Sophie reviews The Clyde Brother’s latest film, If I could tell you, which explores the issue of infertility.
Review: Bernie and Rebecca
Hollywood film editor Melissa Kent’s directorial debut is an engrossing short which reveals fifteen short, bizarre minutes of romance and heartbreak.
“I love to play characters that aren’t necessarily being given a voice in film and television”: An interview with Afsaneh Dehrouyeh
Harley James Mitford speaks with Afsaneh Dehrouyeh about her past, present, and future work.
Review: Sausage Party
Live editor Carly-May Kavanagh writes that the highly anticipated animated film, Sausage party, isn’t as great as audiences suggest.
Review: Morgan
Writer Sophie reviews Luke Scott’s Morgan, a mesmerizing representation of abuse and human curiosity.
Review: Popstar: Never Stop, Never Stopping
Though funny in some parts, The Lonely Island’s first feature film is mostly a disappointment according to writer Sophie Trenear.
Blu-ray Review: Miles Ahead
Features editor Rehana reviews Don Cheadle’s directorial debut; a biopic about Miles Davis
This Week at Harbour Lights (02/09/16 – 08/09/16)
This week at Harbour Lights: films from Woody Allen, Pedro Almodovar and Disney.
Review: War Dogs
Writer Tash reviews the ‘thoroughly entertaining’ War Dogs which looks at the handling of arms during the Iraq war
FrightFest Review: Downhill
Harley James Mitford reviews Patricio Valladares’ deranged but disappointing Downhill.
FrightFest Review: My Father Die
In The Edge’s continued FrightFest coverage, film editor Hollie reviews Sean Brosnan’s directorial debut, My Father Die.