‘One of the Strongest Musical Releases of This Year so Far’: A Review of The Pretty Reckless’ Death By Rock And Roll
Katie Evans reviews the latest album from punk rockers The Pretty Reckless.
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Weekly Roundup (22/02/22-28/02/22) – Pokemon, Spider-man and the BRITs
From Pokemon to the BRITs, this week has been packed full of events and trailers that have laid the ground for much excitement and buzz.
This Week In Live-Streams (19/10/20)
Although fairly quiet at the start of the week, big names are live-streaming in the latter half. We have you covered here at The Edge for all things live-streaming!
Review: Schemers
Produced by Black Factory Films and Munro Films, Schemers is the first full-length feature to be…
Franchises That Deserved Better
Over the years we have seen many attempts at a film franchise, and while some…
Little Fires Everywhere: A Thought-Provoking Look Into Casual Racism
Morgan McMillan tells us with detail why we should be watching Hulu’s latest miniseries.
Review: The Last of Us Part II
Eduard Gafton takes an extremely thorough look at Naughty Dog’s latest.
A Look Back at Isle of Wight Festival
With the summer of 2020 being disrupted by COVID-19, incoming editor Morgan McMillan reflects back on some of the Isle of Wight’s most iconic performers.
Coronavirus: What’s been cancelled so far?
A handy list of the biggest cancellations due to the COVID-19 outbreak.
This Week In Records (30/03/2020) – Dua Lipa, Sufjan Stevens & Little Mix
Stuck for music to listen to? We’ve got just the guide for you!
Review: RuPaul’s Drag Race (Season 12, Episode 4)
Four episodes in, and was Morgan pleased with the result from this week’s episode of Drag Race?
COVID-19 and the Live Music Industry
Jed Wareham analyses the impacts of the spread of coronavirus on the live music scene, for both big and small artists.
1975 Albums to Listen to Instead of ‘The 1975 – A Brief Inquiry Into Online Relationships’
Tom Brewster makes this list, for some unknown reason.
Artist in Focus: Ezra Furman
Ezra Furman’s electric performance in Brixton promotes his album Transangelic Exodus: an exploration of queer identity in a world of illegal angels and ‘straight authorities’,