Union Films: What’s Coming Up This Week (20/04/2015 – 26/03/2015)
This week at Union Films sees Mr Turner and American Sniper hit the big screen, as well as a free screening of Finding Nemo hosted by the RSPCA Society.
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40 Days of Rewind: Pearl Jam – Ten (1991)
Pearl Jam’s 1991 debut album Ten was instumental is bringing alternative rock into the mainstream.
Women in the Entertainment Industry: Girls are the New Black
For the past however many years, television – like every other form of entertainment –…
‘The most important thing I can do is enjoy what I do’: An interview with Martin Delaney
Culture Editor, Natalie, catches up with another star of Amar, Akbar and Tony, Martin Delaney.
Review: Daredevil (Season 1)
Marvel bring their world to Netflix – how does it work out? And does it matter when Charlie Cox is SO PRETTY!
Preview: Into the Woods by SUSU Showstoppers
SUSU Showstoppers’ ‘Into the Woods’ is coming to the Annex Theatre this week, and is tipped to be better than the film.
Preview: The Early November at Joiners Arms (01/05/15)
A monster international tour from alternative rock veterans The Early November.
40 Days of Rewind: Def Leppard – Hysteria (1987)
Marcus explores the album that cemented their place in British rock band history.
Introducing: Damn Beats
With an electrifying live performance that blends tight indie-pop beats and blues inspired guitar licks, Damn Beats are a local band worth keeping an eye on.
Review: Jauja
Lisandro Alonso’s latest film is an audacious exploration of colonization, says James Slaymaker.
Guitar Hero Live announced
Activision have announced Guitar Hero Live, the first game in the series since 2010.
The Short of the Week: Alive in Joburg
Harrison Abbott looks at Alive in Joburg, the short that inspired District 9.
40 Days of Rewind: Tom Waits – Rain Dogs (1985)
Luke Farrall reviews Waits’ 8th studio album, a record that places emphasis on the importance of instrumental production and the idea of organic creation.
Review: Lost River
Ryan Gosling’s directorial debut is more interested in piecing together striking shots then investing them with thematic or emotional weight, says James Slaymaker.