‘Existing in the grey area where not a lot is certain’: An interview with Edd Simpson from Once Upon A Dead Man
The Edge caught up with Edd Simpson from Once Upon A Dead Man to discuss their debut EP, ‘Concepts and Phenomena’.
The Edge caught up with Edd Simpson from Once Upon A Dead Man to discuss their debut EP, ‘Concepts and Phenomena’.
How does one define beauty when its aesthetics have become easily to replicate and associated with advertisements?
Harrison reviews John Williams’ Oscar-nominated score for Star Wars: The Force Awakens.
In the wake of his passing, The Edge came together to highlight their personal favourites among David Bowie’s countless contributions to art and culture.
Helen Arney chats to The Edge on fax machines and life on the road ahead of Festival of the Spoken Nerd’s sold-out Southampton debut show
The Transformers actress has been cast in a recurring role for the hit comedy, while Zooey Deschanel goes on maternity leave.
Ollie Ray assesses Titus Andronicus’ 93-minute rock opera for the emotionally unhinged.
Questions of age, creativity, and annoying fashion styles are addressed in Noah Baumbach’s latest indie offering, writes George Seabrook.
Tickets for the tour, which includes a date at Southampton, go on sale this Friday.
Evans brilliant understanding of the mechanics of film and of how to use cinema language to stage mind-blowing fight sequences is refreshing to see in the genre, says Harrison Abbott.
Chicago punk rockers Rise Against are back, three years after the hugely successful ‘Endgame’, with a cathartic but nevertheless powerful seventh album.
New Girl, a US comedy about a quirky young woman who moves into a loft with three men, is airing its third season. We see Nick and Jess try to make a relationship work and Schmidt try to date two women at once.
Atlas, in the end, is a refreshingly unassuming and elegant record, with a well-crafted, human sound.
Jack Harding explains his love for this weird, brilliant film.