Review: Fantastically Great Women Who Changed The World @ MAST
Jade Farrow reviews Fantastically Great Women Who Changed the World, currently playing at MAST Theatre until 20th November.
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Preview: Fantastically Great Women Who Changed The World @ MAST
Read Jade Farrow’s preview of Fantastically Great Women Who Changed the World, playing at Mast Theatre until 20th November, here.
Arkane’s Deathloop: Dishourned Redesigned and Redefined
When I first played Dishonored and Dishonored 2 I ensured that I played them entirely…
Review: Dune
After years of telling people “Dune’s going to be great” and hearing back “why, what’s…
“Festivals have gotten away with booking less women than ever”: Gender Inequality in Festival Lineups
Connie Seamer tells all- why festival line-ups are a ‘boy’s club’ and how festival directors must do better.
Black History Month: Three Great Shows to Watch
October is Black History Month and writer Reece Beckett has three important pieces of television to watch.
Review: Pete & Bas @ Engine Rooms, 21/10/21
Pete & Bas may be the strangest addition to U.K. grime, if not all of…
Review: Adele – ‘Easy On Me’
Editor, Sam Pegg, gives his verdict on the first single from Adele after her six-year hiatus… but is it all it’s chalked up to be?
The Vestry Rebrands to Papillion
The Vestry, the beloved restaurant located near Mayflower theatres, sets its grand reopening for today!
‘A true sense of artistry from start to finish’: A Track-by-Track Review of Sam Fender’s Seventeen Going Under
Ellie Griffiths takes an in-depth look at the journey of Sam Fender’s Seventeen Going Under.
Review: Coldplay, BTS – ‘My Universe’
‘My Universe’ does not make Ellie Griffiths feel “out of this world”.
Review: alt-J – ‘U&ME’
Max Williams takes a sarcastic look at the latest release from alt-J.
Review: Tokyo Rose at MAST Mayflower Studios
Connie Seamer reviews the new musical, Tokyo Rose, playing at Mast Mayflower Studios.
Review: Sam Fender – ‘Get You Down’
Ellie Griffiths takes a look at yet another consistently enjoyable track from Sam Fender.