The Cost of Band Merchandise
If you’ve ever been to a gig, concert or festival – and we’ve all been…
Search Results: 50 cent (1358)
Noel Gallagher’s High Flying Birds – Ride the Tiger
Noel Gallagher and his High Flying Birds recently released a brand new short-form video entitled…
World’s Fastest Guitarist Michael Angelo Batio: “I Absolutely Love What I Do”
André Pusey of The Edge talks to world’s fastest guitarist Michael Angelo Batio about his career, his aspirations, and everything in between.
The Angle – Week 4
Here’s the fourth week of The Edge’s new music feature with a variety of track for you to delve into.
Preview: Defenders of the Faith III at the Guildhall (1/12/11)
Now officially an annual event, the Metal Hammer-sponsored Defenders of the Faith tour kicks off…
The Angle – Week 3
The Edge’s new music feature returns for a third week and four new tunes to check out.
Harry Potter Director Reveals Controversial Doctor Who Film Plans
David Yates, director of all the Harry Potter films since Order of the Phoenix, has…
Preview: Summer Camp at The Joiners (14/11/11)
Summer Camp – a name that conjures up images of sun, ice cream and swimming…
AWOLNATION – Megalithic Symphony
After listening to ‘Sail’, the debut single from the album Megalithic Symphony, I was surprised…
Review: Frequency, October 2011
Frequency returns with a new look, a new location, and a new ethos. The result? Mixed.
Radio Moscow – The Great Escape of Leslie Magnafuzz
Harkback psychedelic rockers Radio Moscow return with their third album, which continues their trend of mixing layers of phased guitars, drum solos and acid vocals into a huge trip.
Save Us From Right-Wing Journalist Hacks – and especially Guy Stagg
Francis Pearson defends Stewart Lee from smug Telegraph journalists
Are Extravagant Sales Hooks the Key to Popularising Records Nowadays?
Psychedelic alternative rockers The Flaming Lips reveal that their 24-hour Halloween single will be placed inside human skulls – genius promotional ploy, or cheap sales hook?
The Tree of Life ★★★★☆
Terrence Malick’s latest production mixes A-list stars and a stuttering storyline to create an audience-dividing phenomenon.