Our writers give their suggestions of tunes to listen to on those all-too-common rainy days.
Browsing: Moulin Rouge!
Love is in the air! With it being the 14th February, The Edge writers pick out their favourite romantic films.
What exactly is so different between the competing worlds of stage and screen? Is one inherently better? What can theatre offer that the cinema can’t compete with? Holly Hammond examines.
The combination of lush orchestral writing, with imaginative reinventions of classic songs and excellent (un-autotuned) singing is impressive, says Hannah Mylrea.
Luhrmann’s has kept his initial recherché filmmaking recognisable, but matured it to a level that collides all parts of filmmaking to one effective united text.