Perry’s delightfully dry humour powers the narration on a self-aware tone that’s as filled with winks as it is laughs, creating something both fun and consistently intelligent, says Ben Robins.

The influence that Spanish speaking nations have had on the horror genre in the past…

There’s a lot of potential in the characters shown on screen and yet it doesn’t always fully come across because of the film’s calamitous structure, says Ben Robins from the London Film Festival.

For a film so concerned with identity it is strange that The Equalizer’s chief problem is that it has no discernible personalty of it’s own, says Harrison Abbott.

Despite a brief running time, Life After Beth still manages to feel like it’s dragging its central joke out way past it’s threshold, says Harrison Abbott.