First Look review: Thor: The Dark World ★★★★☆
The Walt Disney Company is really putting a lot of effort into turning out this…
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The Curve #2
Welcome to the second issue of The Curve, The Edge’s crazy celebrity news roundup. After…
BluChristmas #39: Dracula (1931)
It’s nearly Halloween! And that means you have to be thinking about scary films, and…
‘We want to use Southampton as our home turf; we really like the music scene here’: An interview with Flashfires
Laura Cox caught up with Flashfires following their trip to record their debut album in Sacramento.
New Rule: why Real Time with Bill Maher should be shown on British television
Michael Anderson thinks we should all be watching Real Time with Bill Maher.
Preview & Competition: Ed Byrne – Roaring Forties (O2 Guildhall Southampton 30/10/2013)
Stand up comedian Ed Byrne is coming to O2 Guildhall Southampton as part of his…
Homeland and Masters of Sex have been renewed
Showtime renews Masters of Sex and Homeland for the 2014 season.
Lady Gaga reveals new track ‘Do What U Want’
Lady Gaga has released a new track from upcoming album ARTPOP.
SUSU scraps Pulse club night
Pulse is cancelled just four weeks after it was launched.
‘I’m an old person trapped inside a young person’s body’: An interview with Deaf Havana
Annabelle Asker caught up with Deaf Havana’s frontman, James Veck-Gilodi, who is busy touring following the release of the band’s third studio released album Old Souls.
‘We are very normal people who just want to do some music’: An interview with We Butter the Bread with Butter
Thomas Williams chats with Marcel Neumann from We Butter the Bread with Butter.
London Film Festival review 2013: 12 Years A Slave ★★★☆☆
Barnaby Walter finds Steve McQueen’s 12 Years a Slave a difficult film to like
The Southampton Student Speakeasy (19/10/2013)
Features Editor Cat Olley reviews the Speakeasy, a highly successful and unique night at The Bridge.
London Film Festival 2013 Review: The Double ★★★★☆
With his second film, Richard Ayoade has graduated his influences from French new wave to Orwellian dystopia and the result is of course, a much less sunny disposition and a far darker set of laughs, says Ben Robins.