“Intimate is a good word to describe it”: An interview with HONNE
We get cosy in a van just before their sold-out Brighton tour date.
We get cosy in a van just before their sold-out Brighton tour date.
The Welsh National Opera does it again in this triumphant production of Kiss Me, Kate. Audience members beware; you will laugh so hard you cry!
In the latest edition of Closer to The Edge, our writers discuss which of their favourite books deserve film adaptations.
The film was a critical success, and spawned a sequel in 2013.
There are so many aspects of gigs to consider – sound, crowd, ticket price. Some…
Deputy Editor Ashleigh throws back to her time at The Walking Dead: Apocalypse experience earlier this year.
Sophie McEvoy looks at the live performance style of our Issue 2 cover star, Lady Gaga.
Harley James Mitford reviews the epic stylings of Norwegian pop-princess AURORA at her recent London appearance.
Writer Eddy explores Tom Hanks’ third outing as Robert Langdon which is disappointing, and too serious for its own good
Lois reviews Watsky at Cardiff’s Clwb Ifor Bach late last month.
Manchester noise-makers The Hyena Kill warmed The Notes Cafe with an intimate and raucous performance (16/10/16).
Naomi Graves reviews The Shawshank Redemption at Mayflower Theatre, Southampton.
Rehana reviews Swiss Army Man starring Paul Dano and Daniel Radcliffe.
Harley James Mitford discusses Frank Ocean’s use of audio processing devices, and their significance, on his new album Blonde.