David Tennant and Catherine Tate to record new Doctor Who audio plays
David Tennant and Catherine Tate are set to return to their former roles as the Tenth Doctor and Donna Noble in a set of new audio plays to accompany the BBC series.
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Review: Fargo (Season Two, Episode One)
Jack goes contrarian in a review of the Fargo Series Two Premier.
Blu-Ray Review: Poltergeist (2015)
Ashleigh takes on the modernised remake of the classic 80s chiller.
Review: Bullet For My Valentine at O2 Guildhall, Southampton
Welsh metallers Bullet For My Valentine arrived on the south coast to play a killer show at Southampton’s O2 Guildhall (21/10/15).
This Week In Film
This Week In Film (26/10/15 – 2/11/15) sees everybody’s favourite globetrotting super-spy Bond go head to head with Nicolas Cage as a bloodthirsty crusader.
This Week in Gaming
This Week in Gaming (26/10/15-01/11/15) sees the return of one of the most influential First Person Shooters of all time.
One To Watch: Kill Your Friends
John Niven’s seriously dark cult novel is finally making its way to the screen, and it certainly looks to be one to watch says Polly Bussell.
This Week at Union Films
This week at Union Films (26/10/15 – 2/11/15) promises a Halloween marathon and the return of the Mission: Impossible franchise.
Blu-ray Review: Pasolini
Abel Ferrara’s chronicling of the final day of Pier Paolo Pasolini is one of his finest achievements, says James Slaymaker.
Review: CHVRCHES – Every Open Eye
CHVRCHES’ follow-up to ‘The Mother We Share’ is brilliant. George reviews.
Spectre Speculation: What To Expect From Bond’s Latest Adventure
It may have been a rather long wait, but the latest 007 adventure is finally…
Review: Lego Dimensions
Rebecca takes a look at the latest release in the Lego franchise – Lego Dimensions.
Review: Orlando at The Mayflower Theatre
The Welsh National Opera brought Opera to the Mayflower theatre, with Orlando being the second in their MADNESS series.
Review: Redlight feat. Melisa Whiskey – ‘Threshold’
Opening with a twelve-piece orchestra building a foundation reminiscent of Ian Brown’s ‘F.E.A.R.’, ‘Threshold’ lacks…