TV round-up: 05/09/14 – 11/09/14
This week’s TV round-up consists of the return of Scott & Bailey, an exciting new BBC drama and the launch of this year’s Strictly Come Dancing.
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Film round-up: 25/08/14 – 31/08/14
Forget the gloominess of the weather and the end-of-Summer feeling; pick a film and hide yourself away in cinemas this week.
How to make a video game movie that doesn’t suck
In terms of cinematic adaptations of beloved source material, no one has a tougher time than gamers.
Archive: Zodiac (2007)
Zodiac encompasses all of Fincher’s thematic interests and showcases his signature style in a story that is surprisingly personal for the director, says Harrison Abbott.
Review: 2000trees Festival 2014 (10/07/2014 – 12/07/2014)
Lewis Cato headed up to the Cotswolds to enjoy a weekend of sincere, compelling and beautiful music.
Review: Rise Against – The Black Market
Chicago punk rockers Rise Against are back, three years after the hugely successful ‘Endgame’, with a cathartic but nevertheless powerful seventh album.
Bestival’s Comedy Line-Up Revealed
Bestival have announced their comedy line up. Check it out.
Sunday at Isle of Wight Festival
Sunday was truly the most spectacular of all our days at Seaclose Park.
Chart round-up: Ella Henderson’s first single reaches number one
Kasabian’s 48:13 debuts at number one in the UK album chart, making it their fourth album to hit top-spot.
Review: HOLI ONE Colour Festival at Mayflower Park (07/06/2014)
Sian Blewitt headed down to the UK’s most colourful music event, redefining the festival experience by placing its focus on the ‘concept of expression’.
Film round-up: 09/06/2014 – 15/06/2014
The Edge’s Film Editor, Virginie, takes a look at this week’s forthcoming cinema releases.
Coldplay – Ghost Stories
It may be the fastest selling album of 2014 so far, but don’t take that as an indicator of quality.
Lily Allen announces North American tour
The 19-date tour is the first North American tour Allen has done in five years.
Blu-ray review: Aguirre, Wrath of God ★★★★★
Chris Pate reviews the BFI’s stunning new release of a Werner Herzog classic.