In Defence of: Christmas Films
Susanna Robertson-Sheath defends the seasonal joy of Christmas films.
Susanna Robertson-Sheath defends the seasonal joy of Christmas films.
Digital Culture Editor, Louise Chase, shares her latest podcast obsession.
In a new series, Harry Geeves shines a light on a great film that feels overlooked for its genre, Contact.
Read Jade Farrow’s preview of Fantastically Great Women Who Changed the World, playing at Mast Theatre until 20th November, here.
While the Magic certainly goes wrong, Mischief Theatre Company’s latest outing is nothing short of entertaining.
Kay Miller discusses Pablo Picasso’s artwork as well as his misogynistic treatment of women and if the artist can be separated from his work.
Harry Geeves thinks that Pressure Machine is The Killers’ best album in years.
With summer coming, our writers recommend some comedians to check out on a rainy day.
Records Executive Katie Evans muses over what we can really call ‘indie’ music today, nor even if indie music still exists in the way we once defined it.
Records editor, Alice Fortt, tells us about her first gig… who just happened to be Jedward!
Reece Beckett reviews Christian Petzold’s latest feature that bears a departure from his previous films.
From BAFTA-winning games to BRIT nominations, check out this week in news.
Seeing our most beloved fictional characters illustrated on the page or canvas is no surprise…
Records Editor Alice Fortt turns her hand to the art industry and uncovers the secrets of French painter Pierre Auguste Cot’s ‘Springtime’.