The Edge Reacts To…. The 2016 Oscar Winners
Our writers have come together to debate whether Spotlight deserved its Best Picture win and, of course, to celebrate Leo’s glorious victory.
Author George Seabrook
George Seabrook
Fourth year Spanish & History student. You know what I like,because I've written about it. #MagicMikeXXLForever
Total articles: 197
Review: Frightened Rabbit – ‘Death Dream’
Frightened Rabbit surprised their loyal fanbase with the sudden release of new single ‘Death Dream’ on Friday – was it worth it?
Review: Pride and Prejudice and Zombies
Burr Steers’ Austen parody is ridiculous fun, says George Seabrook.
The Edge Reviews the Classics: Y: The Last Man by Brian K. Vaughan
Y: The Last Man is among the all-time greatest graphic novels says George Seabrook.
Review: Foxes – All I Need
How does the sophomore effort from Southampton’s own Foxes stack up?
The Edge Reacts To… The latest Captain America: Civil War footage
Our writers have come together to discuss the latest footage from the upcoming Marvel epic.
One To Watch: Victoria
German director Sebastian Schipper is about to show the world how to make an entire movie in a single-take, says George Seabrook.
The Edge’s List of 2016
The Edge have handpicked 10 artists who they think will make it in 2016.
The Edge’s Most Anticipated Films of 2016
Despite last year breaking all the records and somehow featuring five of the top ten…
First Look Review: Spotlight
Tom McCarthy’s awards-favourite is a truly gripping drama, says George Seabrook.
Review: Creed
Ryan Coogler’s re-boot delivers the best Rocky film in years, says George Seabrook.
“If people want to know who I am, it is all in the work”: Remembering Rickman
On his passing, The Edge comes together to remember the greatest roles of the late British great Alan Rickman.
The Edge Reacts To… Oscar Nominations 2016
Our writers discuss all the snubs and surprises of this year’s Academy Award nominations, and ponder the question: could this finally be Leo’s year?
Review: Hinds – Leave Me Alone
How high does the Madrid garage rock quartet’s debut album set the bar for the new year?