Browsing: Records
Review: Blur – The Magic Whip
Blur make a strong case for Britpop revival with their first release in twelve years.
40 Days of Rewind: Blink-182 – Enema of the State (1999)
Enema of the State, on the other hand, took the impish, roguish spirit of punk and gave it a shiny pop gloss, renewing the pop-punk genre.
Records Rewind: Radiohead – OK Computer (1997)
The third studio album from Radiohead, that stands at the forefront of their experimental style.
40 Days of Rewind: OutKast – ATliens (1996)
Luke Farrall reviews one of OutKast’s finest albums.
40 Days Of Rewind: Oasis – (What’s The Story) Morning Glory? (1995)
(What’s The Story) Morning Glory propelled Oasis from an indie act to a worldwide phenomenon.
40 Days Of Rewind: Oasis – Definitely Maybe (1994)
Oasis’ 1994 album, Definitely Maybe, was the fastest selling album of it’s time and revitalised the Britpop movement.
40 Days of Rewind: Nirvana – In Utero (1993)
At 1993 in our countdown, Sam Dunton explores Nirvana’s final studio album.
40 Days Of Rewind: Rage Against The Machine – Rage Against The Machine (1992)
Rage Against The Machine’s 1992 debut album recieved high praise for it’s successful combination of heavy metal and rap.
Review: Passion Pit – Kindred
Passion Pit’s third album, following 2012’s critically acclaimed Gossamer, is full of delightfully energetic music and thankfully less relentlessly bleak lyrics.
40 Days of Rewind: Pearl Jam – Ten (1991)
Pearl Jam’s 1991 debut album Ten was instumental is bringing alternative rock into the mainstream.
40 Days of Rewind: Madonna – The Immaculate Collection (1990)
“It’s not fussy nor is it trying to be clever, it’s just a compilation of the bloody good pop songs” – Hannah Mylrea reviews.
Review: Shawn Mendes – Handwritten
The latest artist to be created in the Disney mould.
Review: Florence + The Machine – ‘Ship To Wreck’
The second single from the upcoming third album, ‘Ship To Wreck’ leaps right from the first note, writes George Seabrook.
40 Days of Rewind: Nirvana – Bleach (1989)
We’re at 1989 in our 40 Days of Rewind, and Lizzie Cooper-Smith will be taking on Nirvana’s mighty debut album.