‘One of 2022’s landmark indie releases’: A Review of Miles Kane’s Change The Show
Callum Joynes calls Change the Show “perhaps the best album of [Kane’s] career”.
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‘Relevant and relatable nine years on’: A Review of Taylor Swift’s Red (Taylor’s Version)
Charlie Burgess finds Red to be just as brilliant as it was on its first release.
Review: Bloxx at Heartbreakers, Southampton 30/10/21
Amrit Manku reviews Bloxx’s recent tour stop at Heartbreakers!
In Defence of: Far Cry 1
A rocky start to one of the most iconic first-person shooters of all time, Jasper Marshall defends Far Cry and sings all its praises in the meantime.
‘Nothing short of beautiful’: A Review of Lana Del Rey’s Blue Banisters
Amy Scott-Munden gushes over the wonder that is Lana Del Rey in a review of her latest album.
Fontaines D.C. @ The O2 Guildhall Southampton, 09/10/21
Lucas Williams relives the escapism felt at Southampton Guildhall on Saturday.
On Edge- Anticipating Venom: Let There Be Carnage
Following its record-breaking opening in the USA, Reece Beckett eyes up Venom 2’s imminent release.
‘A true sense of artistry from start to finish’: A Track-by-Track Review of Sam Fender’s Seventeen Going Under
Ellie Griffiths takes an in-depth look at the journey of Sam Fender’s Seventeen Going Under.
Collab: Worst Musicians to See Live
We’ve heard these musicians perform sweeping ballads, RnB hits and noughties nights out on their…
This Week In Records – Wet Leg, IDLES and Coach Party
For some reason, this week seems to be inundated with breakup songs – of varying…
‘Never slumping in energy’: A Review of King Krule’s You Heat Me Up, You Cool Me Down
2021 is a good year to be a fan of contemporary British rock.
Review: Sam Fender – ‘Aye’
Ellie Griffiths is wowed by the latest “refreshingly honest” track from Sam Fender.
Review: Reading Festival – Friday, 27/08/21
Connie Seamer takes us with her to the first day of Reading Festival 2021!
Review: Freaky
Jo Lisney took a trip to the cinema to watch Freaky… on a Friday!