Browsing: Culture
Othello at the Olivier Theatre, London
Cerys Beesley reviews the National Theatre’s latest Shakespeare offering – Othello.
Taken Too Soon: Part 2
Following on from the last article on TV shows that were taken too soon, here…
Xbox 180: Stumbling into the 8th Generation
Thomas Williams comments on the next generation of consoles, and what impact Microsoft’s latest news could have on the market.
Tomb Raider Review
Tomb Raider has been rebooted, and Joe Gibson reviews the newest game.
Microsoft’s dramatic U-turn for Xbox One
Microsoft’s gaming division makes a shocking U-turn on some of the features it previously announced for the upcoming Xbox One.
Comment: Being a woman in a male video game world
Alex Meehan looks at the mis-representation of women in the video game industry and decides it needs to change.
Flashback: Arrested Development Seasons 1-3
After the release of Arrested Development season 4 on Netflix, Joe Gibson flashes back to seasons 1-3.
The Returned: Will viewers return?
David Tully discusses whether French drama The Returned can hold its own in a sea of American imports
The Eighth Great Console War; Wii U, Xbox One or PlayStation 4?
In light of the internet storm caused by E3 announcements from Microsoft and Sony about their 2013 consoles, Edd Cockshutt has a look at the competition and gives you his verdict.
Actor Kelsey Grammer talks about his hit show Boss and its similarity to King Lear
Kelsey Grammer and creator and Executive Producer Farhad Safina talk about the development of Boss, which is available now on DVD.
Game of Thrones Season 3: Bloodier, Sexier, and now with Torture too!
Natasha Raymond examines the highs and lows of Game of Thrones Season Three.
Flashback: Veronica Mars series 1
Veronica Mars is witty, engaging and packs an emotional punch.
Review: Game of Thrones (Series 3, episode 10)
Bronwyn Scotland explores tonight’s Game of Thrones season finale. Beware, spoilers ahead…
Comment: The subject may have been grisly, but BBC2’s The Fall got it just right
The Fall may have been upsetting to watch at times, but Film Editor Barnaby Walter argues it stayed the right side of horrific.