Covid-19 and The Rise in Streamed Concerts
After Covid-19 shook the entertainment industry as a whole, musicians have looked to new ways to continue to offer live music, causing an increase in streamed concerts.
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What We’re Listening To: September 2020
Here’s your roundup of September tunes from us at The Edge!
The Edgetival: Our Favourite Sets
After an incredibly successful festival, some of our writers look back on their favourite sets of the weekend.
‘We live in the parameters of the rock genre but remain as free as possible’; An Interview with Dali
Records Editor, Alice Fortt, virutally ‘sits’ down with local up and coming rock band Dali to discuss music, inspiration and of course, the pandemic.
This Week In Live-Streams (20/04/20)
This week has a promising number of artists performing to our screens that are definitely not to miss.
Talent: Better heard live or on record? Nothing But Thieves
Live/Records Exec Jed outlines why Nothing But Thieves’ live shows demonstrate their talent better than on record.
This Week in Live-Streams (06/04/20)
This week has a little something live from both big and small artists.
Closer to The Edge: Our Favourite Independent Venues
The Edge writers choose their favourite independent venues.
The Essential List of Great British Albums
We take a look at some of the greatest albums to come out of the UK
Nostalgic News: ‘The Bends’ was released 25 years ago.
Records/Live Exec Jed Wareham takes a moment to remind us that Radiohead’s ‘The Bends’ is 25 years old.
Review: Hayley Williams – Leave It Alone
Faye Williamson reviews another new track from Paramore’s Hayley Williams.
“I just didn’t know where to put myself on that stage, but that was the fun part!”- An Interview with No Rome
Kiera Gormley interviews No Rome after the release of his new single, and ahead of a busy 2020.
Hidden Gem: You Were Never Really Here
Ebony Bolter looks back on Lynne Ramsay’s emotionally raw thriller starring Joaquin Phoenix.
Notes On News: Music for Thought – Tackling the Climate Crisis
With The 1975 coming under fire for their new single featuring Greta Thunberg, Editor Jack Nash looks at how music can be a platform for tackling climate change.