Browsing: Records
Review: Bruno Mars, Anderson .Paak – An Evening With Silk Sonic
Oliver Picken spends an evening with Silk Sonic.
‘Relevant and relatable nine years on’: A Review of Taylor Swift’s Red (Taylor’s Version)
Charlie Burgess finds Red to be just as brilliant as it was on its first release.
Review: JP Saxe – Dangerous Levels of Introspection (Deluxe Edition)
Rhianna Saglani finds no flaws in the deluxe version of Saxe’s LP.
‘These are not the same artists from the seventies’: A Review of ABBA’s Voyage
Daniela Gonzalez says it feels like the band ‘never actually left’.
Review: Alt-J – ‘Get Better’
Alt-J’s second single release and sixth track on their upcoming LP The Dream is acoustic,…
Review: Lizzy McAlpine – ‘doomsday’
Deputy Editor Harry Geeves praises the ruminating bitterness in Lizzy McAlpine’s new single.
Review: James Blunt – ‘Unstoppable’
James Blunt is feeling Unstoppable in his latest single.
Review: JPEGMAFIA – LP! (Offline Version)
Reece Beckett takes a look at the special offline version of JPEGMAFIA’s newest release.
Review: Swedish House Mafia, The Weeknd – ‘Moth To A Flame’
The return of the Swedish (funnily enough) EDM-trio Swedish House Mafia was a strange one.…
Mixing the Accessible with the Experimental: A Review of Dean Blunt’s Black Metal 2
Reece Beckett praises the sequel to Black Metal.
‘His boldest record to date’: A Review of Lil Ugly Mane’s volcanic bird enemy and the voiced concern
Resident Lil Ugly Mane superfan Reece Beckett takes a dive into his latest project.
‘Nothing short of beautiful’: A Review of Lana Del Rey’s Blue Banisters
Amy Scott-Munden gushes over the wonder that is Lana Del Rey in a review of her latest album.
Review: Black Country, New Road – ‘Chaos Space Marine’
Reece Beckett reviews the latest single from post-punk band Black Country, New Road.
What We’re Listening To: October
Our writers give us an insight into what they’ve been listening to over the past month.