Review: YONAKA – ‘Seize the Power’; Powerful and Brilliant
Katie Evans reviews the newest track from Brighton-rockers YONAKA.
Search Results: ti west (1900)
Nostalgic News: Jack Garratt’s ‘Phase’ was released 5 years ago
The album that contained hits like ‘Worry’ was released 5 years ago today!
‘A New Venture for the Band’: A Review of Django Django’s Glowing in the Dark
Katie Evans reviews art-rock band Django Django’s latest album.
This Week in Records (15/2/2021) – Taylor Swift, Greta Van Fleet and Dua Lipa
Taylor, Birdy, Greta, and Dua- all you could want from another week of This Week in Records.
Unique, Memorable, and Entertaining; A Review of Ashnikko’s Demidevil
Connier Seamer praises the quick witted lyrics and funky beats of Ashnikko’s newest LP.
A Polarizing Show of Two Sides of One Rapper: A Review of Slowthai’s ‘TYRON’
Connie Seamer praises the second half of Slowthai’s newest album TYRON, but can’t help feeling that the first half falls short.
Review: SZA – ‘Good Days’; ‘A Winning Cut’
Harry Geeves shares some love for the newest single from SZA, ‘Good Days’.
This Week in Records (8/2/2021) – Hayley Williams, Foo Fighters and Bad Sounds
After a bit of a hiatus, Alice is back with our weekly rundown of the newest and hottest music out there.
Our Favourite Spooky Musicals: “Ode to the Urban Myth of the Killer Barber”
How do you get into the halloween and spooky mood? Well a moody spooky musical, duh!
Hoping for a Return of Theatre 2021
After a year of musical theatre drought, a few of our writers express their hope for a well needed return of theatre in 2021.
Games That Will Define 2021
2021 already looks chock-full of promising titles. After a decent year of releases in 2020,…
Review: Dodie – ‘Hate Myself’: A Catchy New Single
Digital Culture Editor Harry Geeves dishes his thoughts on the newest single from indie online superstar, Dodie.
Nostalgic News: Downton Abbey premiered 10 years ago
Downtown Abbey hit small screens 10 years ago!
Review: Blithe Spirit – The Epitome Of Remake Failure
Jacob Hando scathingly reviews this remake of the 1945 adaptation of Noël Coward’s hit stage play.