Browsing: Records
Experimental, Enticing, and Exciting; A Review of The Magic Gang’s Death of the Party
Hot off the press with its release today, Georgie Holmes shares her thoughts on the newest album from The Magic Gang.
Kitschy Cliches and Happy, Honest Pop: A Review of Katy Perry’s Smile
Did Katy Perry’s latest album make Vicky Greer ‘Smile’? (see what we did there ha I know we’re hilarious)
Review: The Japanese House and Justin Vernon – ‘Dionne’
The Japanese House’s new vibey collab with Justin Vernon gets 4 stars from Georgie.
Review: Dua Lipa ft. Madonna and Missy Elliot – ‘Levitating [The Blessed Madonna Remix]’; A Cultural Reset
Is the ‘Levitating’ remix the best thing that has ever happened? Quite possibly according to Morgan.
Review: Travis Scott – The Plan; A Strange Match That Fits into a Larger Picture
With anticipation for Tenet building, The Edge’s Film Editor Theo Smith gives a listen to Travis Scott’s new single in collaboration with the film.
Review: ‘Glue’ – Nat and Alex Wolff; Raw and Honest
Josh shares his thoughts on the newest track from indie duo Nat and Alex Wolff
This Week in Records (24/8/2020) – The Front Bottoms, The Neighbourhood and The Lemon Twigs
This week has been an absolutely fantastic one for new albums. We’ve got new LPs…
The Best Of Pop-Punk: Neck Deep – Life’s Not Out To Get You
A maybe controversial article from Callum Holgate today on why Neck Deep’s 2015 album is the very best of the pop-punk genre.
Review: Stand Atlantic – Pink Elephant; Perfect Modern Pop-Punk
Charlotte Brennan discusses the newest record from the Australian pop-punk four-piece.
Review: Bon Iver – AUATC; An Important Commentary
Georgie Holmes shares her thoughts on the latest song from Bon Iver.
It Was Never About The Music: Why The Patriarchy Made Us Hate Taylor Swift
Maddie Lock explores Swift’s shifting position of stardom amongst the backdrop of society.
Review: I DON’T KNOW HOW BUT THEY FOUND ME – ‘Leave Me Alone’
Charlotte Brennan discusses the infectiously catchy new single from IDKHOW.
Introducing: Joy Crookes
Elizabeth Sorrell explores the career and lyrical influences of Joy Crookes.
The Best of Nu Metal: Korn – Korn (1994)
Is Korn (1994) the very best of Nu Metal? Callum Holgate has the answer. *Reader discretion advised*